A MÃE-D’ÁGUA, BY GONÇALVES DIAS: A POETIC IMAGE OF A MULTIFACETED FIGURE
DOI:
https://doi.org/10.18817/rlj.v7i3.3460Abstract
The poet Antônio Gonçalves Dias received a certain reputation and recognition in the literary world of his time and subsequent times up to the present day. This fact must be due both to the poetic value of your compositions and to some of the themes you chose to address, which contained elements already belonging to Brazilian culture at the time. One of these poems is A Mãe-D'água, which was published in the category of American Poems in the work Últimos Cantos (1851) and refers to a myth whose many variants in different cultures over time made the Mãe-D'água a multifaceted figure (Cascudo, 2012). From this perspective, considering the different ways in which this being has already been represented and the specific characteristics of the images constructed through poetic text (Paz, 1982), this article analyzes the poetic image of Mãe-D'água constructed by Gonçalves Dias in his, a poem that despite using myth as raw material, has a specific reality (Bachelard, 1993). Thus, considering the theoretical support used, which includes the theorists already mentioned, plus authors such as Bergson (2010), Ricoeur (2007) and Moisés (2000), in addition to Blanchot (2005), Silva (2011) and Galeno (2010), It is understood that the image of Mãe-D'água in the space of the poem can house several others, since its poetic character offers a certain freedom to unite different and even conflicting realities in a single image (Paz, 1982).
KEYWORDS: A Mãe-D’água; Gonçalves Dias; Poetic image.
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Copyright (c) 2023 Solange Santana Guimarães Morais, Luíla Silva Lima Farias , Nadja Hedra de Queiroz Lima, Valéria de Carvalho Santos
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